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[K596.Ebook] PDF Download The Films of the Eighties: A Social History, by Professor William J. Palmer PhD

PDF Download The Films of the Eighties: A Social History, by Professor William J. Palmer PhD

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The Films of the Eighties: A Social History, by Professor William J. Palmer PhD

The Films of the Eighties: A Social History, by Professor William J. Palmer PhD



The Films of the Eighties: A Social History, by Professor William J. Palmer PhD

PDF Download The Films of the Eighties: A Social History, by Professor William J. Palmer PhD

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The Films of the Eighties: A Social History, by Professor William J. Palmer PhD

In this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties.

Palmer defines the dialectic between film art and social history, taking as his theoretical model the "holograph of history" that originated from the New Historicist theories of Hayden White and Dominick LaCapra. Combining the interests and methodologies of social history and film criticism, Palmer contends that film is a socially conscious interpreter and commentator upon the issues of contemporary social history. In the eighties, such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies.

Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it.

  • Sales Rank: #1202578 in Books
  • Brand: Brand: Southern Illinois University Press
  • Published on: 1993-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .88" w x 6.13" l,
  • Binding: Hardcover
  • 352 pages
Features
  • Used Book in Good Condition

Review

"This is an absolute ‘must read’ for all interested in film and its relationship to culture and society."—Choice

About the Author

William J. Palmer, a professor of English at Purdue University, is also a novelist whose Highwayman and Mr. Dickens was an Alternate Selection of the Book-of-the-Month Club.

Most helpful customer reviews

4 of 7 people found the following review helpful.
More Fun than One Might Guess
By Carra R Lane
Dr. Palmer's scribblings on film are NOT so uselessly DRY as the mysterious quoting review implies, though the guy can (& does) stoop to SOME jargonic postmodern deconstruction, plus at least one hilariously terrible actual diagram. I swear! Fortunately, the empty academic professionalism is nicely balanced by passages of plain readable screed, tips on good commercial flops, etc. The professor seems to be some sorta quasi-Dickensian crypto-feminist at heart, best as I can guess from this filmcrit & a very sketchy bio. He is overkind to Oliver Stone, who does not NEED (or even want) kindness, but otherwise fair. Or almost fair. If one elects to concoct a sub-heading called "Ensemble Weepies" for categorizing bathetic chick flicks, what about "Baseball Hokum" for the inverse, or obverse, or obtuse? Doctor?

1 of 10 people found the following review helpful.
Scholarly analysis.
By A Customer
"...on a primary text level, history may embody an idea that gives a general definition to the vision of the film and points in a general way toward the other levels of textuality of the film - its subtexts and/or metatexts (self-reflexive discourses). If history is a holograph, then so is film because film is also composed of different layers of textuality. The surface texts of most films are constructed out of a limited number of conventional mass modes of discourse (plots), whereas the subtexts of films consist of a variety of sociohistorical discourse contests (themes) such as politics, social consciousness, revisionist history, moral messaging and existentialist themes. "
(The "score" rating is an unfortunately ineradicable feature of the page. This reviewer does not "score" books.)

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